. pours 2 Exlited'’s Notes "4 couple of months ao Ceramics Munthly asked tor photos of the oldest Shimpo wheel kicking around your studio. Geotf Searle sent in a shor of his 1966 Shimpe and won the prize -a Shinypa handing wheel char he says *goes on forever”. Congratulations! | hope it's nor his only wheel, by the way. **eDeb Taylor, whose amazing textures often leave potters visiting the gallery with wapeng jaws, was recently to be seen on Cmbencan Live, ceaching the intrepid host how cochrew a por A classic moment in Cunadian television. “**T took advantage of being on the Library Cormmittee and selfishly took aur aur new copy of Single Firing by Fran Tristam. It's a great book and has raised a lot of interesting poincs about pors and porrers. [ hadn't thought about how entrenched my attitudes are about the way ] work, or why they are that way. The first reliably documented bisque firings took place in the Sung period (AD 960 - 1269) and are hence fairly recenc additions to the ceramic lexicon. It seema to have been an attempt to improve glaze fit in Honan region of China, an area where the available raw materials had poor plasticity. In the Middle-East, the introduction of fritted tin-glazes (majalica’ led eo fit problems which could be ameliorated 7 The Newsletter is published 10 times pearly as an informacion link for members. Submissions of articles, letrers and * anything else of interest are happily received and should be submitted by the 2nd Wednesday of any month, Unclassifieds and by a hisgue firing. Uhis practice moved inte Europe through [slamic Spain Wherever mapolica glacinr was used. In Britain, stoneware wd tin glacing were inthoduced ac about che sane cio in the sixteenth century. Steneauice was once fired, tin wire wat trice fired, With the development of « British porcelain indusery the habic of caice ring became firmly entrenched in pottery fectories. When pettery began to be taught in the Age Collewes, most of che traditional crate peateers hisd disaryppouredt. This meant that it was ceuhe by imitating industrial precoces, even bringing in factory ceramicists as teachers, The presuppositions of industrial pottery production became part of che individual petter’s methodology. The sources from which potters sought information, (indusery, colleges and Bernard Leach) were all firmly committed to twice firing. My first instructor was a student of Warren MacKenzie, who was a student of Bernard Leach. Naturally, we ewice-fired everything. [ think the other factor involved in universal owice firing is the préciousness of our first pow. [ was se attached to my misshapen ¢fforts that [ certainly wouldn't have wanted to put them any more at risk chan their thick bettoms, uneven walls and air bubbles already did! Tristam does poine our chat alter the initial learning petiod, * articles may be edited for space needs. The fax number is 604/669 - 5627, Editor; Karen Opas ‘ {998 Membership Fees (Based on Calendar Year}: « Individual: $40 < Seniors/Full dive Seudencs: $25 « Institutions! Groups / Corporanions: $80 » Family or Studio (max. 4 persons}: 355 ISSN #: 6319 812X General Manager: Jane Macchews Edisorial Board: Resemary Arnon, Heacher Cairns, Gillian McMillan, Frank Turco * Gallery Assistants: Julia Maika, Christina Loch, Melanie Corbin, Monica Brisson-Arce, Sandra Ferguson L/4 Page: $40 Unclassified Rates (noc including GST) Members: FREE Nommembers: 3 lines $8 each additional line: $2 Bourd of Directors: President: Ron Vallis; Treasurer; Janet Turpin; Secretary: Gillian McMillan; Directors: John Cloutier, Linda Doherty, Fay Hickey, June MacDonald, Debra Sloan, Deborah Tibbel, Laura van der Linde, Frank Turco. Email: bepguild@intouch-be.ca single Firing produces as many sound pots as twice firimyr. Anocher debunked myth about single firisyy id the difficulty of glaze application. In facet, Tristam poines our char ‘greenware has less variable porosiry chan biscuit ware from an uneven kiln, and thus glaze thickness can be mors evenly controlled, Single firing cakes less time than conventional fring, and it does save your back from loading the kiln twice! She goes onto make many other points for aingle firing and offers all sorts af technical pointers and glaze formulas. The one flew [ found with the book was the low fire glaze recipes designed for aingle firing. They all have lead in ther! Don't British potters have to worry about the lead police? ] haven’: quice had the Courage fo try it our yet, but I will, by George, [ will. Karen Opas Advertising Rates (not including GST); Full Page: $130 As anew member of the Editorial Board, 1 am very concerned with the role of the newsletter in communicating with the fnembership, [f there is anything in an issue that you weuld like clarified or expanded upon phone me at 604 / 29] - 0741 and leave a message, [fT can't help you T will try to put you In contact with someone who can. Rosemary Amon ee ee ee | Potter’s Guild of B.C. Newsletter Website: www.margaretdesign.com’pguild/ 1/2 page: 565 Business Cand Sine $25