UPCOMING WORKSHOPS/LECTURES Emily Carr College of Art and Design have invited the Californian potter Tany Marsh to give a one-day workshop on Saturday, November 23rd from 10 am to 5 pm. Tony apprenticed with Shimaoka in Mashike, Japan, and received a BFA from California State Univeralty Long Beach, and his MFA from Alfred University, New York State College of Ceramics. He presently teaches and Is Chairman of Ceramics at California State Univerity, having also been director of the ceramics program at Mendocino Art Center in the early 60's. Tony says “Tm currently working in two distinct modes- porcelain and raku. ... Porcelain is a recorder ofeverything that has happened to us. [ appreciate a simple, geometric vessel. There's nothing stronger than a circle, a triangle, and a square. My raku forms came after the white wave pattern series, frommy appreciation of porcelain. The raku forms offer me a chance to work in the geometric mode. The white forms are colorless, organic forms. but raku allows me to work with color and simple, soft geometry”. Tony proposes to demonstrate model making with clay as wel] as simple plaster mold making, and te fallow that with a demonstration on how to use press molds. More details on the workshop, Including photos of hia work, will be found in the November iasue. Cost will be $25 to Guild members, $30 to non-members, ard $15 to full-tlme students at other communily colleges. See page 7 for pre- registration form. go a qq “THE TURNING POINT™, Ceramic Symposium, October 30-November 2, 1991, al the Museum of Anthropology, 6393 N.W. Marine Dr., University of British Columbia. This symposium has been organized to celebrate the addition of the Koerner Ceramics Gallery at the UBC Museum of Anthropology. The symposium will provide a rare opparturity for people with an interest Inceramics, (scholars, collectors, potters, artists, teachers, students, etc.) to hear speakers whose speclaltles Include archaeology, art history, heraldry, religious atudies, medical history, contemporary art and anthropology. Contact the Museum at 822-5087 for a complete list of events, Oo Oo a and Chinese Trade Ceramics at the Vancouver Museum, 1100 Chestnut St. Serles conducted by Jean Faken, potter and collector, and Michael Chen, a Sotheby's trained Chinese Ceramic specialist. Participants will learn how to handle and inspect early Asian ceram- ics and learn about the history and techniques of manufacture. Celadon Wares: Wednesday, October 9, 7:30 po. Workshop will focus om the green wares of the Song and Yuan Dy- nasty, which came to be known in the Weat as Celadon. Bloc and White Wares: Wednesday, October 16, 7:30 pm. Ferma on the development of the Blue and White wares from the Yuan dynasty to the early Qing dynasty (1644-191 1), with emphasis on the Ming dynasty (1368-1644) Individual lectures cost $10 ($8 for Museum members|. Pre-registration is necessary. Call 736-4431, Loral 232. “QUO VADIS 20th CENTURY CRAFT?” In conjunction with CABC’s 1991 AGM, a symposium will be held November 16 & 17 at Emily Carr College of Art and Design. Exploring the queation “Whither goest* craft, the eymposiuim will focus on the issues of the neglected history of craft. crafts’ acathetic issues and Its shifting relationship te the ‘fine arts’, finding a new methodology for Interpreting, analyzing, ard documenting craft, and the development of a critical vocabulary for craft art. Keynote apeaker will be Patterson Sima, Curator of Seattle Art Museum, and a Panel Discussion will be led by Graeme Chalmers, Professor of Art Edioecatior, UBC. Members of the panels will include Ann Rogenberg of the Vancouver Sun, Roberta Cramer of the BC Provincial Museum, and others to be announced. The intent ia net to answer the question “where are we golng?”, bul to open a conversation, and tostimulate thoughts amd discussion beyond the craft com- munity. Phone CABC at 687-651] for further information. Finally! The September Ceramics Monthly has reprinted a good portion of the “Choosing Clay” Exhibition Catalogue. Danial Lauwsean Page 4 October, 1991