Digital Document
Globe and Mail article about Al Neil's life, work, and events dedicated to him in 2005's LIVE Biennial of Performance Art. Collected material for The Al Neil Project.
Digital Document
Article in the Canadian Forum's August 1999 issue on New Toxic Homes, a project by KIT. Collected material for Infrasense by Robert Saucier and KIT artist collective.
Digital Document
Article from the Georgia Straight on Marlene Madison's practice and upcoming performance for LIVE at the End of the Century. Collected material for Little Miss Mira.
Digital Document
Photocopied fashion feature from Loop Magazine highlighting artists from LIVE at the End of the Century. Collected Material for LIVE at the End of the Century.
Digital Document
Photocopied French language article on the political aspects of Nathalie Derome's work. Collected material for Girouette-Weathercock.
Digital Document
Article from The Canadian Forum discussing criticism and understanding of performance art, the history of the form in Vancouver, and LIVE at the End of the Century. Collected Material for LIVE at the End of the Century.
Digital Document
Photocopied French language article on Nathalie Derome's work Du temps d'antennes. Collected material for Girouette-Weathercock.
Digital Document
Brief and listings for LIVE events from Preview Magazine. Collected material for LIVE Biennial of Performance Art 2001.
Digital Document
Article in Simon Fraser University's The Peak article. Collected material for The Nova Library by Hans Winkler.
Digital Document
Article in Espace's Spring 2003 issue on Robert Saucier. Collected material for Infrasense by Robert Saucier and KIT artist collective.
Digital Document
Photocopy of an Evening Post review for a Satina Saturnina's Satori at BATS Theatre. Collected material for Sector X: the hot new work by New Zealand fetish/punk artist Satina Saturnina.
Digital Document
Georgia Straight article about the Nihilist Spasm Band and their upcoming performance at The Western Front. Collected material for LIVE Biennial of Performance Art.
Digital Document
Essay by Alastair MacLennan in Europa: European Tour 1998-1999 by Black Market International. Collected material for Alastair MacLennan's Black Market International performance Rove Over.
Digital Document
Article on Chiasma in The Sunday Independent. Collected material from Chiasma by Léa Donnan, Rebecca Belmore, and Hester Reeve.
Digital Document
Spanish essay on KIT in the Arquitecturas para el acontecimiento book. Collected material for Infrasense by Robert Saucier and KIT artist collective.
Digital Document
Article from Raven's Eye (Volume 5, Issue 8) by Brian Lin. Retrieved from Aboriginal Multi-Media Society (ammsa.com). Collected material for LIVE Biennial of Performance Art.
Digital Document
Georgia Straight article on the upcoming LIVE Biennial of Performance Art, its highlights and artists. Collected material for LIVE Biennial of Performance Art.
Digital Document
Brief article from The Vancouver Sun on funding for the LIVE Biennial from the Vancouver Foundation. Collected material for LIVE Biennial of Performance Art 2001.
Digital Document
Article about Al Neil's life, work, and events dedicated to him in 2005's LIVE Biennial of Performance Art. Collected material for The Al Neil Project.
Digital Document
Article on KIT's COTIS in V2's collection of essays titled The Art of the Accident. Collected material for Infrasense by Robert Saucier and KIT artist collective.
Digital Document
Brief from The Georgia Straight on the LIVE Biennial's funding and formation of a society. Collected material for LIVE Biennial of Performance Art 2001.
Digital Document
Cover and article on Astrid Hadad in The Georgia Straight. Collected material for Astrid Hadad y Los Tarzanes.
Digital Document
Article in ETC, Numer 62, June–July–August 2003 on Robert Saucier. Collected material for Infrasense by Robert Saucier and KIT artist collective.
Digital Document
Digital Document
Preview article from Terminal City Weekly with comments by festival director David Yonge. Collected Material for LIVE Biennial of Performance Art 2003.