Digital Document
Programming poster for LIVE Biennial of Performance Art, October 18 – November 29, 2003. Collected Material for LIVE Biennial of Performance Art 2003.
Digital Document
Article from MoreonMain with listings of LIVE Biennial events. Collected material for LIVE Biennial of Performance Art 2001.
Image
Ron Samworth, wearing a fake rat's nose, addresses participants on the bus. Still from The Sniffy the Rat 10th Anniversary Bus Tour.
Image
Ron Samworth and participants at the door to the bus. Still from The Sniffy the Rat 10th Anniversary Bus Tour.
Digital Document
grunt gallery order form for photographic prints of Merle Addison's performance documentation, including details on pricing, rights, and artist use. Collected material for LIVE Biennial of Performance Art 2001.
Image
Tour participants seated on the bus wearing plastic smocks. Still from The Sniffy the Rat 10th Anniversary Bus Tour.
Digital Document
Print ad for the LIVE Biennial of Performance Art from C Magazine. Collected Material for LIVE Biennial of Performance Art 2003.
Digital Document
Article from The Canadian Forum discussing criticism and understanding of performance art, the history of the form in Vancouver, and LIVE at the End of the Century. Collected Material for LIVE at the End of the Century.
Digital Document
Brief and listings for LIVE events from Preview Magazine. Collected material for LIVE Biennial of Performance Art 2001.
Digital Document
Fall season arts preview from The Georgia Straight highlighting exhibitions and events including LIVE Biennial. Collected material for LIVE Biennial of Performance Art 2001.
Image
Ron Samworth watches as participants load on the bus. Still from The Sniffy the Rat 10th Anniversary Bus Tour.
Digital Document
Photocopied print ad for LIVE Biennial of Performance Art from C Magazine. Collected material for LIVE Biennial of Performance Art 2001.
Digital Document
Print ad for LIVE Biennial of Performance Art from the Fuse Magazine. Collected material for LIVE Biennial of Performance Art 2001.
Digital Document
Article from The Georgia Straight discussing the diversity of performance art practice and highlighting select performers from the LIVE Biennial. Collected material for LIVE Biennial of Performance Art 2001.
Digital Document
Arts and culture listings from The Vancouver Sun including LIVE Biennial. Collected material for LIVE Biennial of Performance Art 2001.
Image
The tour bus drives along the route, while a video plays for participants. Still from The Sniffy the Rat 10th Anniversary Bus Tour.
Digital Document
Photocopied book review of LIVE at the End of the Century: Aspects of Performance Art in Vancouver from Fuse Magazine. Collected Material for LIVE at the End of the Century.
Digital Document
Print ad for the LIVE Biennial of Performance Art from Discorder. Collected Material for LIVE Biennial of Performance Art 2003.
Digital Document
Photocopy of a Frame piece in Vancouver Magazine featuring LIVE at the End of the Century with selected recommendations. Collected Material for LIVE at the End of the Century.
Video
Video documentation of Intimate Investigations by Lezli Rubin-Kunda. Recorded over five days and screened for LIVE along with a performance and other documentation.
Digital Document
Brief article from The Vancouver Sun on funding for the LIVE Biennial from the Vancouver Foundation. Collected material for LIVE Biennial of Performance Art 2001.
Digital Document
Print ad for LIVE at the End of the Century clipped from The Georgia Straight. Collected Material for LIVE at the End of the Century.
Digital Document
Fall season arts preview from The Georgia Straight highlighting exhibitions and events including LIVE at the End of the Century. Collected Material for LIVE at the End of the Century.
Digital Document
Print ad for the LIVE Biennial of Performance Art from Terminal City Weekly. Collected Material for LIVE Biennial of Performance Art 2003.
Digital Document
Programming brochure for LIVE at the End of the Century, October 1 – November 6, 1999. Includes event listings by date and venue, funding acknowledgements, and an introduction by Glenn Alteen. Collected Material for LIVE at the End of the Century.