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Aason Vidaver is a writer and archivist. Drawing upon his archival work for cultural organizations as well as his previous interventions in public space, Vidaver builds a performed lecture addressing judicial selfhood and linguistic dissent. Counter…
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Collection
The AFCR provides programs and activities to the Francophones of the Campbell River area. It changed its name to the AFCI in 2019. Its first newsletter, La Bonne Pêche, seems to have been published monthly, with each issue bearing a different…
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Karen Jamieson Dance, under the artistic direction of Karen Jamieson, was formed in 1983. Karen has created over 100 original dance works with original scores by over 20 respected Canadian composers, performed in Canada, Europe, Japan and the United…
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Collection
Ratatouille was the newsletter of the short-lived La Maison d’Accueil, a Francophone centre in North Vancouver in 1984-85. The collection is comprised of 3 undated issues. The first two are in folded 8 ½ in.x 14 in. format, and the last, in full-…
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Blue Lodge was performed as part of ALA's Havana Gallery series and was curated by Archer Pechawis. Also known as A Little Piece of Unity, this performance is an unconventional multi-media storytelling that recorded and reflected on aspects of…
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The Skeena Journal was a local television program produced by CFTK TV out of Terrace British Columbia. The reoccurring series was made up of interviews and local stories that explored the North West. The themes for each episode were inspired by…
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A series of short works from the Montreal performance festival FA3, performed in sequence at grunt gallery.
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Lezli Rubin-Kunda spent five days wandering Vancouver, collecting plant materials, debris, and assorted objects: a process of playing and exploring the intertwining of the magnificent and the mundane, from primal forest to parking lots. After…
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Founded in 1979, l'Association francophone de Kamloops (AFK) is made up of members from all different communities in the Kamloops region and surrounding areas including Chase, Knutsford, Logan Lake and Merritt. Its publication, Entre Nous,…
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Le Soleil de Vancouver, 1968-1973, weekly Le Soleil de Colombie, 1974-1993, weekly Le Soleil de Colombie-Britannique, 1993-1998, weekly This newspaper, the name of which was changed three times, was the printed voice of the Francophone community…
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La Société historique francophone de la Colombie-Britannique est une société sans but lucratif incorporée en mars 2009 et dont la mission est : la promotion de l’histoire et de la culture des francophones de la Colombie-Britannique; le soutien d’…
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Collection
The Sointula Museum researches, collects, conserves, interprets and exhibits the tangible and intangible heritage of Malcolm Island (T'lat'laskudis, Malkosaari). The Museum is open to the public, accessible and inclusive. Sointula, on…
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Lori Blondeau's Bleached takes a humorous and poignant look at Indigenous family life, identity, whiteness, and discrimination framed as the familiar chatty dialogue at a salon or home haircare session. This performance was curated by Lynn Hill…
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Le Bastion de Nanaimo is the newsletter of the AFN. The 1986 issues are from Vol. 11, so we are presuming that Vol. 1 was published in 1976. This is an incomplete collection, from April 1986 to Dec. 2009, with gaps. It has been published in various…
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Photographs of and around the Sointula Cooperative Store.
Collection
This is the newsletter of the Fédération Jeunesse Colombienne. It is an incomplete colleciton, from Jan. 1978 to [June?] 1980, with gaps. It was printed in folded 8 ½ in. x 11 in. format, then in 8 ½ in. x 14 in. format.
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Collection
Stiles, Robert, Arcand, and Alteen and the audience discuss the nature and veracity of performance art documentation, the impulse to document and publish as a function of arts institutions, and the interplay of theory born of intuition and…
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Judy Radul and Geoffrey Farmer's collaborative work resulting from their excursions to Vancouver courtrooms. The artists examined the "cultural performance" that takes place within the court of law, a fertile 'stage' because…