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The two performers costumed in a four-legged, two rear-ended organism at the back of the room, surrounded by pies on the floor. Still from Total Ass by Erin Stanley and Corin Sworn.

Lezli sits cross-legged on the floor, arranging found objects, while video documentation of her performance from the past 5 days screens in the background. Still from Intimate Investigations by Lezli Rubin-Kunda.

Box 1) 1) Invoice from Percey's Fur House, Oshkosh, Wis., dated April 30, 1912 2) Paper fragments with Chinese characters 3) Newspaper article with cloth backing 4) Map of central B.C. (1940) 5) Dept. of Lands & Forests (Forest Service) Log…

Box 40) Freight books from 1933 - 1937, a hotel register from 1928 - 1935, and a Lee Chong account book from 1929 - 1931.

Box 1) 1) Invoice from Percey's Fur House, Oshkosh, Wis., dated April 30, 1912 2) Paper fragments with Chinese characters 3) Newspaper article with cloth backing 4) Map of central B.C. (1940) 5) Dept. of Lands & Forests (Forest Service) Log…

Item is a memo to Vance granting permission to assist with saliva tests during the upcoming racing season as time permits.

Victoria Stanton stands on the stairs, squinting in an expressive gesture. Still from (If) not for me (If) not for you.

Lori, inside the YWCA, holds a martini glass up to the window, in front of an onlooker. Still from One Hundred Housewives by Lori Weidenhammer.

Jamie, standing in front of a projection, splashes water onto his face. Still from Barbed Wire by Jamie McMurry.

Box 40) Freight books from 1933 - 1937, a hotel register from 1928 - 1935, and a Lee Chong account book from 1929 - 1931.

A spotlight shines on a cello player surrounded by audience members. Still from reservoir by Rebecca Belmore.

An image of a man in a Darth Vader outfit and Hester in a white dress is projected onto a wall reading: “THE BRITISHISH EMPIRE”. Still from Hester Reeve's performance at Folly as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.

A large image of a gazebo and trees is projected onto a wall as glowing flashlights lay on the floor. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.

Eric Metcalfe, Eric Cameron, Laura Baird, Bérangère Parizeau, and André Stitt at a table facing the audience. Still from the Process panel with Eric Cameron, André Stitt, Bérangère Parizeau, Laura Baird, and moderator Eric Metcalfe.

Rehearsal wall text at the Contemporary Art Gallery. Still from Rehearsal by Judy Radul.

The panelists, moderator, and audience sit on couches, facing each other. Still from re: live with Judy Radul, Warren Arcand, Meesoo Lee, Tagny Duff, and Randy Lee Cutler.

David Yonge speaks at the podium at UBC Robson Square Theatre. Still from Props For The Memory and Doing Wrong in the Work of Joseph Beuys by Kristine Stiles.

Aiyyana Maracle walks across the runway, holding a baby. Still from Catwalk Envy: A Subverted Runway Show by Lorena Wolffer.

Diane Landy at her table of objects and record players, talking with an audience member. Still from La Morue (Cod) by Diane Landry.

Aaron Vidaver stands at a podium while a seated person films from below. Still from Syntax errors: Counter-Interpellation Negative by Aaron Vidaver.

Box 40) Freight books from 1933 - 1937, a hotel register from 1928 - 1935, and a Lee Chong account book from 1929 - 1931.

Three slow-moving Trojan Horses and a quicker-moving Bug travelling along tracks at grunt gallery. Still from Infrasense by Robert Saucier and KIT artist collective.

Projected image of two people walking hand in hand around stools. Still from Kyoti Bites by Marie Baker.

Zoë Eakle performs in costume. Still from Too Close to Fire by Taste This.