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Louise Dubreuil communes with a blindfolded audience member while another looks on. Still from EYEIN' HAND, FEELIN' BEAT.
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Audience members surround a tent while watching a projected image of trees and birds. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.
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Josée Tremblay stands still in her plaster costume. Still from Same line.
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One member of HUMAN 5 paints on the ground, while surrounded by other group members and an audience. Still from Human 5 by HUMAN 5.
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Audience members enjoy a moment of the performance with Louise Dubreuil and Josée Tremblay. Still from EYEIN' HAND, FEELIN' BEAT.
Compound Object
Louise Dubreuil's performance EYEIN' HAND, FEELIN' BEAT for FA3.
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Victoria Stanton stands next to Josée Tremblay, encased in plaster. Still from (If) not for me (If) not for you.
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Judith Price stands next to a TV on a rolling stand and presses a large sheet of paper against the wall. Still from The Performance Evaluation Review by Judith Price and John Boehme.
Digital Document
November 03 - February 04 brochure from Folly Gallery, featuring Chiasma. Collected material from Chiasma by Léa Donnan, Rebecca Belmore, and Hester Reeve.
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A large image of arms and trees is projected onto a wall as glowing flashlights lay on the floor. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.
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Members of HUMAN 5 sit on a milk crate and on the floor painting. Still from Human 5 by HUMAN 5.
Digital Document
Article on Chiasma in The Sunday Independent. Collected material from Chiasma by Léa Donnan, Rebecca Belmore, and Hester Reeve.
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A videographer takes a close up shot of Josée Tremblay's plaster costume. Still from Same line.
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Roi Vaara reflected in a small mirror that he holds up. Still from the collaborative work by Roi Vaara, Alastair MacLennan, and Boris Nieslony for Black Market International.
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John Boehme stands in front of an abstract projected image, holding sheets of paper. Still from The Performance Evaluation Review by Judith Price and John Boehme.
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A member of HUMAN 5 drills a painting of a face onto the wall. Still from Human 5 by HUMAN 5.
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Paul Wong takes a close up shot of Josée Tremblay in her plaster costume. Still from Same line.
Digital Document
Email between Jonathan Jones and Daina Warren. Collected material from Chiasma by Léa Donnan, Rebecca Belmore, and Hester Reeve.
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Audience members seated against the wall next to Alastair MacLennan holding a large stick and covered in sheets of paper. Still from the collaborative work by Roi Vaara, Alastair MacLennan, and Boris Nieslony for Black Market International.
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Three members of HUMAN 5 work on paintings on the floor and wall. Still from Human 5 by HUMAN 5.
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Audience members, including David Yonge and Glenn Alteen, sit on the floor of the gallery, watching the video projection. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa…
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A row of whole fish laying on the floor. Still from the collaborative work by Roi Vaara, Alastair MacLennan, and Boris Nieslony for Black Market International.
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A tent on the floor of the gallery, filled with audio-visual gear. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.
Digital Document
Poster for the Chiasma live streams at Pope Productions in St. John's, Newfoundland. Collected material from Chiasma by Léa Donnan, Rebecca Belmore, and Hester Reeve.
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A large image of newspapers is projected onto a wall reading: “THE BRITISHISH EMPIRE”. Still from Hester Reeve's performance at Folly as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.