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Josée Tremblay's plaster costume, removed and arranged on the floor. Still from Same line.

A large image of newspapers is projected onto a wall reading: “THE BRITISHISH EMPIRE”. Still from Hester Reeve's performance at Folly as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.

Louise Dubreuil with a blindfolded audience member. Still from EYEIN' HAND, FEELIN' BEAT.

Audience members seated against the wall next to Alastair MacLennan holding a large stick and covered in sheets of paper. Still from the collaborative work by Roi Vaara, Alastair MacLennan, and Boris Nieslony for Black Market International.

Jay Thompson sits at a computer as an image of a gazebo and trees is projected onto a wall and glowing flashlights lay on the floor. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester Reeve, Rebecca Belmore,…

Three members of HUMAN 5 face and discuss their work, while two audience members look on. Still from Human 5 by HUMAN 5.

John Boehme looks down, reading from the sheets of paper he holds. Still from The Performance Evaluation Review by Judith Price and John Boehme.

Judith Price wears rollerblades and a tutu while moving a TV on a rolling stand. Still from The Performance Evaluation Review by Judith Price and John Boehme.

Josée Tremblay steps forward, breaking out of her plaster costume. Still from Same line.

Josée Tremblay's performance Same line for FA3.

Roi Vaara faces the audience while holding up a sign as Boris Nieslony faces the window. Still from the collaborative work by Roi Vaara, Alastair MacLennan, and Boris Nieslony for Black Market International.

Four participants in the Western Front's kitchen. Still from Spending Time Together by Kirsten Forkert.

Audience members surround a tent while watching the performance. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.

Audience members lean against the wall as they watch a projected figure in white on a wall reading: “THE BRITISHISH EMPIRE”. Still from Hester Reeve's performance at Folly as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.

An image of a man in a Darth Vader outfit standing with Hester in white is projected onto a wall reading: “THE BRITISHISH EMPIRE”. Still from Hester Reeve's performance at Folly as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa…

An image of a man in a Darth Vader outfit holding hands with Hester in white is projected onto a wall reading: “THE BRITISHISH EMPIRE”. Still from Hester Reeve's performance at Folly as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa…

Josée Tremblay in her plaster costume with a slice of cake at her feet. Still from Same line.

Nathalie Derome lights a stick of incence atop a pile of wood and fabric. Still from Girouette-Weathercock.

A large image of a sign reading: “This is the other CANADA. The poor; now in your face!” is projected onto a wall as glowing flashlights lay on the floor. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester…

A computer and projector sit in front of projected figures on a wall reading: “THE BRITISHISH EMPIRE”. Still from Hester Reeve's performance at Folly as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.

Three members of HUMAN 5 work on their project. One paints and another is using a drill. Still from Human 5 by HUMAN 5.

Nathalie Derome's shadow, seen inside a small backlit chamber made from fabric. Still from Girouette-Weathercock.

Boris Nieslony stands against the wall as Roi Vaara lays on the floor, next to a line of fish, lighting a cigarette. Still from the collaborative work by Roi Vaara, Alastair MacLennan, and Boris Nieslony for Black Market International.

One member of HUMAN 5 sits on the floor drawing while someone films video. Still from Human 5 by HUMAN 5.

Roi Vaara lays on the floor with his leg over a chair and a cup dangling from his bare foot into a bucket of water. Still from the collaborative work by Roi Vaara, Alastair MacLennan, and Boris Nieslony for Black Market International.