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Digital Document
Sleeve for the Chiasma CD ROM, containing an artist statement, photos, and video. Collected material from Chiasma by Léa Donnan, Rebecca Belmore, and Hester Reeve.
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Nathalie Derome's shadow, seen inside a small backlit chamber made from fabric. Still from Girouette-Weathercock.
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Boris Nieslony stands against the wall as Roi Vaara lays on the floor, next to a line of fish, lighting a cigarette. Still from the collaborative work by Roi Vaara, Alastair MacLennan, and Boris Nieslony for Black Market International.
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Audience members lean against the wall as they watch a projected figure in white on a wall reading: “THE BRITISHISH EMPIRE”. Still from Hester Reeve's performance at Folly as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.
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Audience members enjoy a moment of the performance with Louise Dubreuil and Josée Tremblay. Still from EYEIN' HAND, FEELIN' BEAT.
Compound Object
Louise Dubreuil's performance EYEIN' HAND, FEELIN' BEAT for FA3.
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Victoria Stanton stands next to Josée Tremblay, encased in plaster. Still from (If) not for me (If) not for you.
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Nathalie Derome lights a stick of incence atop a pile of wood and fabric. Still from Girouette-Weathercock.
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Roi Vaara lays on the floor with his leg over a chair and a cup dangling from his bare foot into a bucket of water. Still from the collaborative work by Roi Vaara, Alastair MacLennan, and Boris Nieslony for Black Market International.
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Audience members surround a tent while watching a projected image of trees and birds. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.
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Josée Tremblay stands still in her plaster costume. Still from Same line.
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A large image of arms and trees is projected onto a wall as glowing flashlights lay on the floor. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.
Digital Document
November 03 - February 04 brochure from Folly Gallery, featuring Chiasma. Collected material from Chiasma by Léa Donnan, Rebecca Belmore, and Hester Reeve.
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A large image of a sign reading: “This is the other CANADA. The poor; now in your face!” is projected onto a wall as glowing flashlights lay on the floor. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester…
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A computer and projector sit in front of projected figures on a wall reading: “THE BRITISHISH EMPIRE”. Still from Hester Reeve's performance at Folly as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.
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An image of a man in a Darth Vader outfit standing with Hester in white is projected onto a wall reading: “THE BRITISHISH EMPIRE”. Still from Hester Reeve's performance at Folly as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa…
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An image of a man in a Darth Vader outfit holding hands with Hester in white is projected onto a wall reading: “THE BRITISHISH EMPIRE”. Still from Hester Reeve's performance at Folly as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa…
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Josée Tremblay in her plaster costume with a slice of cake at her feet. Still from Same line.
Digital Document
Information on the three lead organizations of Chiasma. Collected material from Chiasma by Léa Donnan, Rebecca Belmore, and Hester Reeve.
Digital Document
Project proposal for Chiasma. Collected material from Chiasma by Léa Donnan, Rebecca Belmore, and Hester Reeve.
Digital Document
Email between Jonathan Jones and Daina Warren. Collected material from Chiasma by Léa Donnan, Rebecca Belmore, and Hester Reeve.
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Paul Wong takes a close up shot of Josée Tremblay in her plaster costume. Still from Same line.
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Roi Vaara reflected in a small mirror that he holds up. Still from the collaborative work by Roi Vaara, Alastair MacLennan, and Boris Nieslony for Black Market International.
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Audience members, including David Yonge and Glenn Alteen, stand and sit around grunt gallery. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.
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The performance setting on the loft, featuring candles and twisty branches. Still from (If) not for me (If) not for you.