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Roi Vaara reflected in a small mirror that he holds up. Still from the collaborative work by Roi Vaara, Alastair MacLennan, and Boris Nieslony for Black Market International.

Paul Wong takes a close up shot of Josée Tremblay in her plaster costume. Still from Same line.

Email between Jonathan Jones and Daina Warren. Collected material from Chiasma by Léa Donnan, Rebecca Belmore, and Hester Reeve.

Audience members seated against the wall next to Alastair MacLennan holding a large stick and covered in sheets of paper. Still from the collaborative work by Roi Vaara, Alastair MacLennan, and Boris Nieslony for Black Market International.

Audience members, including David Yonge and Glenn Alteen, sit on the floor of the gallery, watching the video projection. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa…

A row of whole fish laying on the floor. Still from the collaborative work by Roi Vaara, Alastair MacLennan, and Boris Nieslony for Black Market International.

A tent on the floor of the gallery, filled with audio-visual gear. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.

Poster for the Chiasma live streams at Pope Productions in St. John's, Newfoundland. Collected material from Chiasma by Léa Donnan, Rebecca Belmore, and Hester Reeve.

A large image of newspapers is projected onto a wall reading: “THE BRITISHISH EMPIRE”. Still from Hester Reeve's performance at Folly as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.

Louise Dubreuil with a blindfolded audience member. Still from EYEIN' HAND, FEELIN' BEAT.

Cover for the Chiasma binder featuring images and a screenshot of the chat room. Collected material from Chiasma by Léa Donnan, Rebecca Belmore, and Hester Reeve.

Nathalie Derome, wearing a plaid apron and a shirt that reads 'OKA' addresses the audience. Still from Girouette-Weathercock.

Brochure for grunt gallery's fall 2003 programming. Collected material from Chiasma by Léa Donnan, Rebecca Belmore, and Hester Reeve.

Audience members, including David Yonge and Glenn Alteen, stand and sit around grunt gallery. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.

A close up of performance props, including bones, drumsticks, bits of paper, and a glass of water. Still from Girouette-Weathercock.

Blindfolded audience members sit together during the performance. Still from EYEIN' HAND, FEELIN' BEAT.

Nathalie Derome emerges from the chamber, wearing a set of wooden bird wings. Still from Girouette-Weathercock.

Victoria Stanton places an offering of cake at Josée Tremblay's feet. Still from (If) not for me (If) not for you.

Email between Lora Yeates at Folly Gallery and Daina Warren. Collected material from Chiasma by Léa Donnan, Rebecca Belmore, and Hester Reeve.

Jay Thompson sits at a computer as an image of a gazebo and trees is projected onto a wall and glowing flashlights lay on the floor. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester Reeve, Rebecca Belmore,…

Victoria Stanton addresses the audience from a plinth, while her assistant operates a projector behind her. Still from (If) not for me (If) not for you.

Victoria Stanton and her performance assistant stand on the loft above the audience. Still from (If) not for me (If) not for you.

Louise Dubreuil and another assistant fasten the back of Josée Tremblay's costume. Still from Same line.

Nathalie Derome, seated, uses two sticks to play an electric guitar in a slide style. Still from Girouette-Weathercock.

Louise Dubreuil leads a blindfolded audience member by the hand past Josée Tremblay in her plaster costume. Still from EYEIN' HAND, FEELIN' BEAT.