Digital Document
Article from The Vancouver Sun discussing the background of and reviewing The Sniffy the Rat 10th Anniversary Bus Tour. Collected material for The Sniffy the Rat 10th Anniversary Bus Tour.
Digital Document
Item is an article titled "Candidates for Canada's Hall of Fame: No. 15 - The Continent's Shyest Policeman" from Liberty magazine, vol. 12, no. 21. Includes cover of magazine.
Digital Document
Digital Document
Essay in the Passport Sized Interference catalogue. Collected material for Infrasense by Robert Saucier and KIT artist collective.
Digital Document
Photocopy of a Capital Times review for the Satina Saturnina vs The Idiots performance. Collected material for Sector X: the hot new work by New Zealand fetish/punk artist Satina Saturnina.
Digital Document
Photocopy of a Terminal City Magazine review for a Satina Saturnina performance at The Brickyard. Collected material for Sector X: the hot new work by New Zealand fetish/punk artist Satina Saturnina.
Digital Document
Article in The Province on Astrid Hadad. Collected material for Astrid Hadad y Los Tarzanes.
Digital Document
Digital Document
Article in Espace's Spring 2003 issue on Robert Saucier. Collected material for Infrasense by Robert Saucier and KIT artist collective.
Digital Document
Article about Al Neil's life, work, and events dedicated to him in 2005's LIVE Biennial of Performance Art. Collected material for The Al Neil Project.
Digital Document
Georgia Straight article about the Nihilist Spasm Band and their upcoming performance at The Western Front. Collected material for LIVE Biennial of Performance Art.
Digital Document
Photocopy of an Evening Post review for a Satina Saturnina's Satori at BATS Theatre. Collected material for Sector X: the hot new work by New Zealand fetish/punk artist Satina Saturnina.
Digital Document
Espace's Summer 1999 article on Robert Saucier. Collected material for Infrasense by Robert Saucier and KIT artist collective.
Digital Document
Article from The Canadian Forum discussing criticism and understanding of performance art, the history of the form in Vancouver, and LIVE at the End of the Century. Collected Material for LIVE at the End of the Century.
Digital Document
Brief and listings for LIVE events from Preview Magazine. Collected material for LIVE Biennial of Performance Art 2001.
Digital Document
Essay by Boris Nieslony in Europa: European Tour 1998-1999 by Black Market International. Collected material for Boris Nieslony's Black Market International performance.
Digital Document
Rough draft of Velveeta Krisp's interview with Pam Hall and Margaret Dragu for brunt magazine. Collected material for Marginalia by Pam Hall and Margaret Dragu.
Digital Document
JCC book fair goes universal Artscetera article from the November 13-19, 2003 issue of the Westender. Collected material from Seamline by Julianna Barabas.
Digital Document
Georgia Straight article on Meredith Monk's performance at the Chan Centre. Collected material for Chan Centre Concert by Meredith Monk.
Digital Document
Article from the Georgia Straight exploring Mo-Ling Chui's practice and process. Collected material for Notes From the Lab.
Digital Document
Vancouver Sun article about Al Neil's life, work, and events dedicated to him in 2005's LIVE Biennial of Performance Art. Collected material for The Al Neil Project.
Digital Document
Article from The Georgia Straight discussing the diversity of performance art practice and highlighting select performers from the LIVE Biennial. Collected material for LIVE Biennial of Performance Art 2001.
Digital Document
Critic's Picks in The Vancouver Sun's Visual Arts Listings. Collected Material for Set: Room 302 by Judy Radul and Geoffrey Farmer.
Digital Document
Article in the Coastal Jazz and Blues Society's magazine about Al Neil's life, work, and events dedicated to him in 2005's LIVE Biennial of Performance Art. Collected material for The Al Neil Project.
Digital Document
Photocopy of a Frame piece in Vancouver Magazine featuring LIVE at the End of the Century with selected recommendations. Collected Material for LIVE at the End of the Century.
 
 
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
    